{"access_artwork_files":"With proof of purchase, access to complete artwork and supplemental material is granted through creating an account on feralfile.com or Feral File’s official web address at the time of purchase. Files are redundantly stored on IPFS. If the official Feral File domain is no longer accessible or active, contact the present-day custodian of Feral File’s archive, the artist studio, or artist estate.","animation_url":"ipfs://QmQ7sDiRA1pdkYjjPNTaMhQyLxSP3zaAs5uziyikB1j8bf?edition_number=23\u0026blockchain=ethereum\u0026contract=0xD156b0297f33Ddd706Ddeb018371FFDf02868e79\u0026token_id=37847030808823349563907102097979397284732682243657619279198386116874638698916\u0026token_id_hash=0x6086c9f572c73fd437e1e788eba21f21a437bca436edda840a3f93df4a60929a","artist":"Kim Asendorf","artwork_id":"53aca90a9d0a56bec2793b6bbad99778e732c19399a47b352efaad7bfd57a98d","attributes":[{"trait_type":"Exhibition","value":"Feral File - COLORS OF NOISE"},{"trait_type":"Edition of","value":"50"},{"trait_type":"Artist","value":"Kim Asendorf"},{"trait_type":"Noise","value":"White"},{"trait_type":"Up","value":"Thirteen"},{"trait_type":"Down","value":"Fourteen"},{"trait_type":"Dual","value":"False"}],"collection_name":"COLORS OF NOISE by Kim Asendorf","description":"Generated by an algorithm, the entire spectrum of the color of noises emerges in Kim Asendorf’s series COLORS OF NOISE. These colored noises are visualized in a flickering mesh of lines, creating a moiré pattern. The different sounds have different effects on the listener, who is directly drawn into the audio-visual experience, immersing into a multisensory artwork.","edition_index":23,"edition_number":"#24","exhibition_info":{"base_price":"ETH0.250000","note":"Kim Asendorf turns the entire spectrum of noise into an artistic experience in his series COLORS OF NOISE. Using an algorithm to generate the color of noise in real-time, he presents the diversity of the sound spectrum, visualizing its waves in abstract pixelated lines. Asendorf creates a mesmerizing display of visual and auditory art that subtly draws the audience into the experience and allows them to become the object of the work.\n\nIn the context of sound and signal processing, the “color” of noise relates to spectral characteristics or frequency distributions that describe a specific spectral property. This concept is analogous to the idea of the color of light and refers, for example, to white, pink, blue, violet, red, or brown noise. The effect of each color depends on how it is used and the context in which it is applied. In audio applications or communication systems, for instance, different colors may be used to achieve specific soundscapes or to mask unwanted sounds. They affect our sonic perception of the environment. \n\nAt the same time, different tones trigger different effects in the listener’s sensation. While white noise generates a flat spectrum on a frequency graph, helping a person to sleep, the sonic pink noise hue is deeper and promotes concentration, while brown noise enhances relaxation, to name just a few examples. Through a conscious application, the color of noise can provide distinct benefits and affect our bodies in unique ways that potentially optimize our lives in terms of sleep, relaxation, or concentration. \n\nCOLORS OF SOUND lies at the intersection of art and technology, combining Asendorf’s artistic practice with new technologies and physical laws. Drawing upon his expertise in programming, the artist has developed an algorithm that generates intricate and dynamic patterns of color-based noises. The algorithm processes these noises by shaping different frequencies, creating different properties of different colors. Their sonic qualities are translated into an artistic display of vibrant meshes of lines that evolve and transform with the changing soundscape. By transforming the immaterial sound waves into pixelated lines in black and white, an abstract flickering image appears that forms a moiré pattern. It becomes an extension of the sonic experience. The network of lines visualizes the audio, emphasizing its characteristics and materializing the colored noise of the sound. \n\nThe result is an immersive experience that moves the recipient into an audio-reactive artwork. As you surround yourself with the generative sound, you dive into the soundscape created by the algorithm. A moment of deceleration emerges that refers entirely to the moment of being in the noise of technology. Exposing the audience to the effects of each color, Asendorf’s work series becomes a physical, multisensory experience with an impact that goes beyond the auditory. A human-machine relationship develops, the form and course of which is unpredictable because it is bound to the randomness of the algorithm. Through one’s own physical experience and the effects of the colored noise, the body in its technological extension comes into focus through the work, creating an awareness of one’s own state of being.","note_title":"COLORS OF NOISE"},"external_url":"https://feralfile.com/artworks/colors-of-noise-rud","id":"37847030808823349563907102097979397284732682243657619279198386116874638698916","image":"ipfs://QmThVjh3SFDxsGzs6k1pGycR63H7bAXjmWF8RvB3PziSUT","medium":"software","metadata_version":"v1","name":"COLORS OF NOISE #24","royalties":{"decimals":4,"shares":{"0x2033606bE146405870F92Ea3144ef5057b9DEA48":500,"0xA2feb99DbF3b355397532AeF85d6066b7eD029D0":1000}},"symbols":"","timestamp":"2023-05-18 08:51:26.186764032 +0000 UTC m=+1214.563933299"}